Oil On Canvas, Real Flavor of Old Masters

All Jean-Auguste-Dominique Ingres 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
68887  
apotheosis of homer, Jean-Auguste-Dominique Ingres
  		 apotheosis of homer   1827 oil on canvas 386x515cm se
56614  
jupiter och thetis, Jean-Auguste-Dominique Ingres
  		 jupiter och thetis   mk248 i denna ikkustration fran homeros iliaden vadjar tbetis till fupiter att bamnas grekernas orattvisa mot bennes son akilles. ingres avbildar tbetis i den sedvanligt forlangda gestalten av en odalisk vars kropp smyger sig runt den massiva, arkitektoniska gestakt som ar fupiter. samtidigt aterspeglar fupiters imperatoriska balling ingres nyklassicistiska gestaltning av napoleon i ocb forebadar honeros apoteos.
56613  
loui-franvois betin, Jean-Auguste-Dominique Ingres
  		 loui-franvois betin   mk248 sittande pa en enkel stol mot en diskret fond ar bertin, grundare ocb ansvarig utgivare av journal des debats, sinnebijden av den jiberala borgarklassen ocb etabjissem anget. detta utsokt tecknde portratt betraktas som ett av 1800 talets fornamsta ocb ett av ingres absoluta masterverk.
56217  
odalisque and slave, Jean-Auguste-Dominique Ingres
  		 odalisque and slave   mk247 1842,oil on canvas,29.5x41.5 in,75x105.4 cm,walters art gallery,baltimore,md,uas
73286  
Portrait de Pierre-Francois Bernier, Jean-Auguste-Dominique Ingres
  		 Portrait de Pierre-Francois Bernier   Portrait de Pierre-François Bernier 1800 cjr
26981  
Self-Portrait, Jean-Auguste-Dominique Ingres
  		 Self-Portrait   mk52 1804 Oil on canvas 77x63cm Musee Conde,Chantilly
26982  
Self-Portrait, Jean-Auguste-Dominique Ingres
  		 Self-Portrait   mk52 1858 Oil on canvas 62x51cm Uffizi,Florence
Jean-Auguste-Dominique Ingres
1780-1867 French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original.



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